Tusok wrote:As the newbie, I'd like to weigh in with those who said:
Let us be the ones to offer the definitions to begin with, for both art and beauty can mean different things to different people, and
For the most part, these two concepts are not necessarily linked.
Finally, why do we need to try and delineate any one thing as being art, or being a beauty? Why can't we say instead, this thing has some element of art to it, and / or some element of beauty?
Welcome, Tusok.
Well. of course, we can say anything we like about art or beauty.
Here is an introductory philosophical perspective:
Beauty
First published Tue Sep 4, 2012
The nature of beauty is one of the most enduring and controversial themes in Western philosophy, and is—with the nature of art—one of the two fundamental issues in philosophical aesthetics. Beauty has traditionally been counted among the ultimate values, with goodness, truth, and justice. It is a primary theme among ancient Greek, Hellenistic, and medieval philosophers, and was central to 18th and 19th-century thought, as represented in treatments by such thinkers as Shaftesbury, Hutcheson, Hume, Burke, Kant; Hegel, Schopenhauer, Hanslick, and Santayana. By the beginning of the twentieth century, beauty was in decline as a subject of philosophical inquiry, and also as a primary goal of the arts. However, the last decade has seen a revival of interest in the subject.
http://plato.stanford.edu/entries/beauty/
The Definition of Art
First published Tue Oct 23, 2007; substantive revision Tue Oct 9, 2012
The definition of art is controversial in contemporary philosophy. Whether art can be defined has also been a matter of controversy. The philosophical usefulness of a definition of art has also been debated.
Contemporary definitions are of two main sorts. One distinctively modern, conventionalist, sort of definition focuses on art's institutional features, emphasizing the way art changes over time, modern works that appear to break radically with all traditional art, and the relational properties of artworks that depend on works' relations to art history, art genres, etc. The less conventionalist sort of contemporary definition makes use of a broader, more traditional concept of aesthetic properties that includes more than art-relational ones, and focuses on art's pan-cultural and trans-historical characteristics.
...“It is not at all clear that these words – ‘What is art?’ – express anything like a single question, to which competing answers are given, or whether philosophers proposing answers are even engaged in the same debate…. The sheer variety of proposed definitions should give us pause. One cannot help wondering whether there is any sense in which they are attempts to … clarify the same cultural practices, or address the same issue.” (Walton, 1977, 2007)
http://plato.stanford.edu/entries/art-definition/
The point I was trying to make is that 'Aesthetics' is broader than these definitions.
And that having those as the 'introductory' descriptors could act as a turn-off.
How useful is it to ponder definitions alone.
I suggest that aesthetics is combined with the function of a product/performance, together with the motivation of the performer, producer - so a more comprehensive heading might be:
'Philosophy of the Arts'.
Any comments welcome.