EmilyBaker wrote:Pluto wrote:In an age where an almost complete breakdown of morality has occured, does morality in art now hold a much more legitimate and potentially revolutionary coupling? Art as a vehicle with morality as its passenger navigate a way out or way forward from a moribund present.
http://www.open.edu/openlearn/history-t ... d-morality
This talk below seems to focus on whether a morally dubious artwork can be seen as good art but I'm more interested in whether an artwork can be moral in the sense of opening up a new space of hope. What would this look like. The artworks would collectively create a conduit of sorts through which you would be able to move through unimpeded. Like a non-contaminated space, where present flotsam and jetsam couldn't enter. How to make an artwork that hasn't got the dust of now in its bones. Can I make something outside the now. Why would I want to.
http://sms.cam.ac.uk/media/1175435;jses ... B4E1210DDA
This idea of art as opening a new space of hope reminded me of a really passionating (and slightly heated) debate between Jake Chapman and Matthew Stone, the central disagreement being on whether art should be optimistic or not. The debate was organised at our philosophy and music festival - HowTheLightGetsIn. Here is the link to the video (this is a short but the whole debate 'Dancing with the devil' should be available on the website):
http://bit.ly/zrXPlU
Although I'd tend to sit with Matthew Stone, Jake Chapman has a point - you can't expect art to fulfill a necessarily optimistic function. Or else you are neglecting at least half of human experiences...
What do you think?
Hi Emily, thanks for your post. The talk is interesting but also pretty confusing, which I guess is to be expected being such a vast topic. I think both artists outlooks are valid, though I think Stone's conception of art is closer to the kind of art which is needed. I feel he is talking about something that will most certainly be investigated further by a number of artists at the beginning of the 21st Century. And for that I thank you again for posting it.
Art is and can be many different things, it can be foolish, serious, scary, moralist, nihilistic, playful, boring, hateful, beautiful, confusing, obvious, etc. But I think now is a good time to see what it can do as a force against and beyond nihilism.
Art is the distinctive countermovement to nihilism.
—Martin Heidegger
http://australasiannietzschesociety.net ... zschef.pdf
Further reading:
http://socrates.berkeley.edu/~hdreyfus/ ... chPoli.pdf