Truth and Falsity as One

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Eodnhoj7
Posts: 8595
Joined: Mon Mar 13, 2017 3:18 am

Truth and Falsity as One

Post by Eodnhoj7 »

Truths and falsity are one; it is true that there are certain falsities which exist, it is false that there are certain truths that exist.
trokanmariel
Posts: 708
Joined: Mon Mar 12, 2018 3:35 am

Re: Truth and Falsity as One

Post by trokanmariel »

Truth and falsity as one dichotomy:

To reach the different version (the falsity), of the days computation network of self-sacrifice for metaphor (self-sacrifice for metaphor being a visual word despite no visual word essence of said words rebellion, against the jumble fun's creation of battle for supremacy using the sociology harmony, of Le Chiffre's and Valenka's deliberate inability to be the biology matrix to Judi Dench's M, Craig's Bond, Vesper, Wright's Felix, Villiers, Solange, Kinnear's Tanner and Christina Cole's hotel clerk), in which the metaphor identity is or can be the truth, physics must travel through the top hat aristocrat Kelly Brook's-Thomas Heath's heel sex's publication world.

So, one has the falsity and truth using the reboot as sequence theme, to be able to be the yin/yang reality as exact.

The inevitability, however, that story truth uses the visual word dimension (a Lia haddock from Limetown reference, and Megan Fox from the kitchen of JB reference); it is not an applicant, of opposition to the aforementioned sequence, due to the philosophy mainframe's possession, of the term story being able to be a tier concept. Following this, there is the philosophy freedom, of philosophy being able to travel through Thomas Heath's self-socialism to Thomas Heath's body, as a Kelly Brook desire to have her top hat shape be a political ally as spiritual ally, of architecture using its past history of architectures act as a political rebellion against Peek-A-Boo's/God's desire, to have celebrity metaphysics (the actual meaning, of this, being that celebrities of the Earth-21st century realm are quarantined by presumably the scale reality's use of time to time philosophy governing the writing sex/writing is from sex paradigm, in order for their Cheryl Cole/Amy Childs equation of real self = magic self (thank you, to the American Supernatural Businesswoman, for her identification of said equation's process) use the historic display to the sun of humanity using means to walk.

Means to walk:
It is a reference, to the physics of labour as a way to get to things, like food, utilities, even ideas (ideas, here, including sunlight's copying, of physics' travel through top hat aristocrat's Kelly Brook-Thomas Heath's heel sex, from the Thomas Heath-Right-wing master's knowledge mainframe of the apparatuses of sport, television, politics, geopolitics, comic book culture (a John Campea and his wife Ann's reference, along with the departed Jon Schnepp) and going for a walk meta (a Frankenweenie reference) all acting as a philosophy mainframe's observation of the Bruce Willis advertiser, in the Lifestyle Express along the Lea Road in Wolverhampton-soul trap (a physics personality, to the scale reality's ASW intelligence to derivative use of the mainframe of shapes using eyes)), of the emergency that any public activity surrounding left-wing transcendence, will create the ASW intelligence to derivative-Naomi Watts and Laura Harring mistake of typing listening to the following silence using the aristocracy's opposition (an Angela Bennett reference).

Means to walk:
People in the Roman Empire did it. They had the modernity using classic syndrome, within their biologies, but, what they lacked was the spontaneity at the back end of history's mainframe's absence to presence dichotomy.

Absence to presence - it is a visual pendulum, of the parody of scale. Thus, can the scale reality (using the Nadia Parkes-Tom Glynn Carney art meta copying, of Thomas Heath's-Kelly Brook's biology to sociology format), knowing the writing sex ethos's James Boo's adherence to story through physics, of the context that absence to presence is the implication of absence being the scale of outer space (through its projection of visual to word dimension), amend the mistake.

Philosophy's general application democracy, of Hayley Atwell's Peggy Carter's bang for the buck, overseeing the safe travel to sports, politics (a reference for Daniel Hannan, and Harriet Harmon), business (a Richard Branson-Derek Trotter reference), and videogames (a Bowser reference), by sleep, of its potential to be a container of aristocracy's access to name-calling via reality's suspension of theory investigation to sunlight, is in need of the visual make-up, of the name Thomas Heath

Moreover:
It is in need of the knowledge, that pass of knowledge between different sectors of philosophy's mainframe consist of philosophy being within physics, as a harmony to the sociology alliance, between national bias of theology meaning the opt out by the scale reality from art meta using story to publication (a Sasha Troy and Willa Ford reference) and the nature analysis, that all non-living matter is a design from top hat aristocrat's Kelly Brook's-Thomas Heath's heel sex, for the purpose of containing the evil that any inspiration matter is a trigger system for emotion to betray the technology user.

To close:
The sex game, of sociology's travels being a composition of philosophy being within the physics, can be the theology game of Lalo, the demon angel whose mission is to override Peek-A-Boo's celebrity from sociology with THIS




For Kasia Smutniak
and Colette Dalal Tchantcho
and for Janice, from Annabelle Creation
and Sally Kirkland, from Haunted
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