the story of the bourgeoisie and the ultimate basis of the existential dichotomy of class warfare

How should society be organised, if at all?

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Advocate
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the story of the bourgeoisie and the ultimate basis of the existential dichotomy of class warfare

Post by Advocate »

Everyone believes they deserve nice things. When they get nice things, whether or not they're deserved, they believe they earned them. When they're successful, for whatever reason, that leads them to believe that people doing things their way are doing the right things. Availability bias shows them that society works. Because society rewards their behavior, they believe their behavior is inherently good and anyone less like them is less good. Because they're more privileged than others, the rules naturally bend to reflect their world-view.
trokanmariel
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Re: the story of the bourgeoisie and the ultimate basis of the existential dichotomy of class warfare

Post by trokanmariel »

Advocate wrote: Sun May 08, 2022 2:02 pm Everyone believes they deserve nice things. When they get nice things, whether or not they're deserved, they believe they earned them. When they're successful, for whatever reason, that leads them to believe that people doing things their way are doing the right things. Availability bias shows them that society works. Because society rewards their behavior, they believe their behavior is inherently good and anyone less like them is less good. Because they're more privileged than others, the rules naturally bend to reflect their world-view.

The premise: TV is the real location of the demon slot opponent. The demon slot opponent, is the meaning that secret empathy generators by art (ostensibly of a national bias) are using a whirlwind concept of image.

The demon slot creator, and whirlwind and generator: it's a 1 to 2 bias, drawing from technology's link to beauty inference.

History of life, as mathematics against co-ordination right of time, in reference to image ascension being an absence of history truth; can body glamour's gravitation to body glamour overrule said system, as a classicism that's friendly to visual word evolution, as not an inadvertent creator of said system being a foe of visual word evolution that's able to be a true classicism to Samantha Worzeil's American in planning which doesn't subject Return Day Independence's knowing the truth versus my socialism to physics insanity
mickthinks
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Re: the story of the bourgeoisie and the ultimate basis of the existential dichotomy of class warfare

Post by mickthinks »

trokanmariel wrote: Wed May 11, 2022 10:34 pm The premise: TV is the real location of the demon slot opponent. The demon slot opponent, is the meaning that secret empathy generators by art (ostensibly of a national bias) are using a whirlwind concept of image.

The demon slot creator, and whirlwind and generator: it's a 1 to 2 bias, drawing from technology's link to beauty inference.

History of life, as mathematics against co-ordination right of time, in reference to image ascension being an absence of history truth; can body glamour's gravitation to body glamour overrule said system, as a classicism that's friendly to visual word evolution, as not an inadvertent creator of said system being a foe of visual word evolution that's able to be a true classicism to Samantha Worzeil's American in planning which doesn't subject Return Day Independence's knowing the truth versus my socialism to physics insanity
lol
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