Very soothing to listen to. I imagine it could put a baby to sleep.
Mongolian throat singing. I didn't know Tibetan monks did this.
https://www.youtube.com/watch?v=1rmo3fKeveo
Very soothing to listen to. I imagine it could put a baby to sleep.
Don't doubt it for a minute.vegetariantaxidermy wrote: ↑Sun Sep 03, 2017 8:21 amVery soothing to listen to. I imagine it could put a baby to sleep.
In my case, I became aware of this style because of the Tibetan Gyuto Monks (back when internet was not even a dream), and I'm getting acquainted now with the Mongolians, which have something rolling on their own.vegetariantaxidermy wrote: ↑Sun Sep 03, 2017 8:21 amMongolian throat singing. I didn't know Tibetan monks did this.
https://www.youtube.com/watch?v=1rmo3fKeveo
That hand pressing into the flesh. Staggering really.Conde Lucanor wrote: ↑Sat Sep 09, 2017 4:36 am The masterful art of Gian Lorenzo Bernini, it makes you forget it's only marble.
Flawed analogy. We evolved incrementally into a species with the brain and motor skills to do this sort of thing (of course some are far more developed in that part of the brain than others, which is why we use the words 'talented' or 'gifted' to describe such people).
Those lines in stone extending the eye into space are not random replicas of randomness. They are designed and calculated by the creator of the imitation, in collaboration with the stone.vegetariantaxidermy wrote: ↑Mon Sep 11, 2017 1:02 amFlawed analogy. We evolved incrementally into a species with the brain and motor skills to do this sort of thing (of course some are far more developed in that part of the brain than others, which is why we use the words 'talented' or 'gifted' to describe such people).
So?Walker wrote: ↑Mon Sep 11, 2017 9:56 amThose lines in stone extending the eye into space are not random replicas of randomness. They are designed and calculated by the creator of the imitation, in collaboration with the stone.vegetariantaxidermy wrote: ↑Mon Sep 11, 2017 1:02 amFlawed analogy. We evolved incrementally into a species with the brain and motor skills to do this sort of thing (of course some are far more developed in that part of the brain than others, which is why we use the words 'talented' or 'gifted' to describe such people).
Obviously, from a philosophical stance of meaning connected through various aspects of living, I and others more knowedgable might find attention turning towards answering the profound brevity of the so.
Oh, well, at least we can see this thread is having an effect on people. Your post resembles the review of an art critic: quite sophisticated and totally meaningless.Walker wrote: ↑Mon Sep 11, 2017 4:32 pmObviously, from a philosophical stance of meaning connected through various aspects of living, I and others more knowedgable might find attention turning towards answering the profound brevity of the so.
However, through knowledge of conditions formed by receptions, and because of the implications inherent within the small investment of merely two letters, an investment that bluntly reflects the degree of interest and involvement called skin in the game, effortation of whittling another chip from the preciousness of time only to delve into the universal nature of transcendence, achieved in any medium used to imitate design, even if it be sourced from mind, but in marble’s case for the successfully achieved purpose of creating the motion of emotion-driven lives within the frozen stardust, and by using the future viewer as an instrument in the process, peaks with a howdy and a good day, VT.
Walker, you keep coming up with ever lengthier ways of not saying anything. Wouldn't it be more efficient to just not put any text in your posts?Walker wrote: ↑Mon Sep 11, 2017 4:32 pm However, through knowledge of conditions formed by receptions, and because of the implications inherent within the small investment of merely two letters, an investment that bluntly reflects the degree of interest and involvement called skin in the game, effortation of whittling another chip from the preciousness of time only to delve into the universal nature of transcendence, achieved in any medium used to imitate design, even if it be sourced from mind, but in marble’s case for the successfully achieved purpose of creating the motion of emotion-driven lives within the frozen stardust, and by using the future viewer as an instrument in the process, peaks with a howdy and a good day, VT.