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 Post subject: Re: Sins of the Farter
PostPosted: Sat Sep 03, 2011 12:28 pm 
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Probably, but I'm not sure its irrelevant as from your perspective we don't appear to be able to explain why Beethoven is considered the greater musician nor why art galleries are not full of the works of four year-olds? My take is that Aristotles aspects appear to explain that its because there are criteria for what makes things works of art and why some are considered 'better' than others and I think it probably underlies your standard as well but I am just guessing. Now personally I agree with your viewpoint that art is what I say it is but I have the idea that its 'better' art if others agree in their subjective judgements with me and demonstrate this by exchanging something for it, be it time or money. Whereas your view appears to have a problem with explaining such things?


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 Post subject: Re: Sins of the Farter
PostPosted: Sat Sep 03, 2011 3:19 pm 
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artisticsolution wrote:
Thank you Chaz! Youmake a much better argument than I ever could.

Sorry AS, but in my view, chaz's habit of resorting to unnecessary - and mostly misplaced and unmerited - invective in lieu of proper thought, on display for all to see in this thread ...


... does considerable damage to the quality of the discussion here at PhiNow. It does all of us, and particularly those who have been on the receiving end of his coprolalia, a huge disservice when it is admired.


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 Post subject: Re: Sins of the Farter
PostPosted: Sat Sep 03, 2011 8:26 pm 
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Arising_uk wrote:
Probably, but I'm not sure its irrelevant as from your perspective we don't appear to be able to explain why Beethoven is considered the greater musician nor why art galleries are not full of the works of four year-olds? My take is that Aristotles aspects appear to explain that its because there are criteria for what makes things works of art and why some are considered 'better' than others and I think it probably underlies your standard as well but I am just guessing. Now personally I agree with your viewpoint that art is what I say it is but I have the idea that its 'better' art if others agree in their subjective judgements with me and demonstrate this by exchanging something for it, be it time or money. Whereas your view appears to have a problem with explaining such things?


Beethoven is music, Mungo jerry is music. I am not making a point about which I prefer, and nor is it relevant to the discussion at hand.
I'm surprised you are persisting with this.


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 Post subject: Re: Sins of the Farter
PostPosted: Sat Sep 03, 2011 8:59 pm 
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Interest in how others think mainly, as to me a screaming motorcycle engine is music to my ears and by your definition it is but I'm not sure that many would qualify it as music. So whilst I think that Mungo Jerry's In the Summer Time is better music than any Beethoven I've heard I could accept that on Aristotles criteria its not. Whereas your view is that they are equal pieces of work and there are no such criteria. So I'm interested in how, if we accept the idea that its just subjective, we could differentiate such works or is it that we can't? If so then I'm interested in why we appear to do so or would you say that you understand no difference?


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 Post subject: Re: Sins of the Farter
PostPosted: Sat Sep 03, 2011 11:59 pm 
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Arising_uk wrote:
Interest in how others think mainly, as to me a screaming motorcycle engine is music to my ears and by your definition it is but I'm not sure that many would qualify it as music. So whilst I think that Mungo Jerry's In the Summer Time is better music than any Beethoven I've heard I could accept that on Aristotles criteria its not. Whereas your view is that they are equal pieces of work and there are no such criteria. So I'm interested in how, if we accept the idea that its just subjective, we could differentiate such works or is it that we can't? If so then I'm interested in why we appear to do so or would you say that you understand no difference?


It's pointless arguing with you if you are going to mis-represent me.
Mungo Jerry and Beethoven are both music. That does not mean I can't have a preference.
MJ gives me a feeling of nostalgia for my early teens, and would not be without him.
But Beethoven's Seventh is an unparalleled masterpiece in its genre. If I had to choose between "Alright, alright, alright" and the 7th for my desert Island Discs then Mungo Jerry would have to be left behind.
I love the burble of my Harley but would not call it music. I have my criteria. Music is a thing that has to be capable of performance.
If I percussively twist the throttle on my bike then a form a music is made. But I reject some extreme forms of electronic dance music as it is not performable per se. It is beyond human tolerance of speed of rhythm. We all have our standards. And I don't really give a rat's arse what Aristotle thought - he probably never heard any decent music anyway.
I think giving a special reserved place for "culture" (in the sense of elite or high culture), is a mistake. The mistake is that some of the audience falls into the trap of pretending to like obscure Opera, when they would rather be listening to popular classics or even rock. The same mistake is being made in art - but the crime is much worse. High modern art panders to the most mean and mediocre tendencies of cynical so-called artists, who are quite happy to believe in their own myths.

Price will never represent art or music.


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 Post subject: Re: Sins of the Farter
PostPosted: Tue Sep 06, 2011 9:47 pm 
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chaz wyman wrote:
It's pointless arguing with you if you are going to mis-represent me. - Didn't mean to, it was just what I understood of your idea that its your subjective standards that define what art is. Not sure we're arguing as I pretty much agree but just want to understand what these standards consist of, if not criteria that can be consider intersubjective given that we appear to not judge works of art equally?
Mungo Jerry and Beethoven are both music. That does not mean I can't have a preference.
MJ gives me a feeling of nostalgia for my early teens, and would not be without him.
But Beethoven's Seventh is an unparalleled masterpiece in its genre. If I had to choose between "Alright, alright, alright" and the 7th for my desert Island Discs then Mungo Jerry would have to be left behind. - But how are we judging Beethoven as such? Me, I will be having In the Summer Time at my funeral and Beethoven not a chance.
I love the burble of my Harley but would not call it music. I have my criteria. Music is a thing that has to be capable of performance. - Do you mean "performance" as someone doing it or as being performed for others?
If I percussively twist the throttle on my bike then a form a music is made. But I reject some extreme forms of electronic dance music as it is not performable per se. It is beyond human tolerance of speed of rhythm. We all have our standards. And I don't really give a rat's arse what Aristotle thought - he probably never heard any decent music anyway. - Now who's saying idiotic things. " electronic dance music" fits the E state of human tolerance perfectly. Shite without it mind.
I think giving a special reserved place for "culture" (in the sense of elite or high culture), is a mistake. The mistake is that some of the audience falls into the trap of pretending to like obscure Opera, when they would rather be listening to popular classics or even rock. The same mistake is being made in art - but the crime is much worse. High modern art panders to the most mean and mediocre tendencies of cynical so-called artists, who are quite happy to believe in their own myths. - Interesting but I don't see how this arose?

Price will never represent art or music. - Maybe not but it pretty much reflects how people value it, Beethoven has made a mint compared to Mungo.


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 Post subject: Re: Sins of the Farter
PostPosted: Wed Sep 07, 2011 4:29 pm 
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Arising_uk wrote:
chaz wyman wrote:
It's pointless arguing with you if you are going to mis-represent me. - Didn't mean to, it was just what I understood of your idea that its your subjective standards that define what art is. Not sure we're arguing as I pretty much agree but just want to understand what these standards consist of, if not criteria that can be consider intersubjective given that we appear to not judge works of art equally?
Mungo Jerry and Beethoven are both music. That does not mean I can't have a preference.
MJ gives me a feeling of nostalgia for my early teens, and would not be without him.
But Beethoven's Seventh is an unparalleled masterpiece in its genre. If I had to choose between "Alright, alright, alright" and the 7th for my desert Island Discs then Mungo Jerry would have to be left behind. - But how are we judging Beethoven as such? Me, I will be having In the Summer Time at my funeral and Beethoven not a chance.

I image you agree that Beethoven is music though? The 7th is sublime. DO you like ANY Classical music?

I love the burble of my Harley but would not call it music. I have my criteria. Music is a thing that has to be capable of performance. - Do you mean "performance" as someone doing it or as being performed for others?

This relates to my utter rejection of some forms of fast rhythmic "rave". I think the boundaries of music are reached when a particular sound is not performable. It does not have to be performed to be music. My ipod still makes music. But when it exceed the human capacity to perform it is some noise that a machine makes.


If I percussively twist the throttle on my bike then a form a music is made. But I reject some extreme forms of electronic dance music as it is not performable per se. It is beyond human tolerance of speed of rhythm. We all have our standards. And I don't really give a rat's arse what Aristotle thought - he probably never heard any decent music anyway. - Now who's saying idiotic things. " electronic dance music" fits the E state of human tolerance perfectly. Shite without it mind.

I've dropped enough MDMA to know what you are talking about. But still do not accept that SOME of it is music. My criterion is could you mimic it with a drum kit? When the beat is beyond that, then it is computer sound and not music.
There is a world of difference between Billy Cobham and a drum machine.

I think giving a special reserved place for "culture" (in the sense of elite or high culture), is a mistake. The mistake is that some of the audience falls into the trap of pretending to like obscure Opera, when they would rather be listening to popular classics or even rock. The same mistake is being made in art - but the crime is much worse. High modern art panders to the most mean and mediocre tendencies of cynical so-called artists, who are quite happy to believe in their own myths. - Interesting but I don't see how this arose?

Eh? Historically? Not sure what your question is.



Price will never represent art or music. - Maybe not but it pretty much reflects how people value it, Beethoven has made a mint compared to Mungo.


Beethoven was NEVER rich. I doubt that he ever earned as much as Mungo Jerry did back in the day.




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